Radio Riel: From the Library . . . Luciafest

One of the engaging things about Second Life is meeting people and learning new things. Somewhat to my surprise, I am part of a radio station, for which I serve as an event host and occasional music presenter. At about midnight tonight I will begin broadcasting Radio Riel: From the Library . . . Luciafest on http://music.radioriel.org. You can listen in iTunes or any other streaming audio player. The broadcast includes about nine hours of music, set on shuffle, and will conclude early tomorrow evening.

Fine article on Lee Hays

A really fine article on Lee Hays, singer and songwriter, a favorite of mine from The Weavers. The People’s Singer

At the end of 1955, the Weavers held a reunion. Their manager beat the blacklist by renting Carnegie Hall for a nameless quartet and then selling it out before anyone could complain. Their opening number was “Darling Corey.” If you’ve ever wondered what the Left once was in America — the Old Left that organized American labor and did FDR’s heavy lifting and fought fascists in Spain in 1936 and in Peekskill in 1949 — listen to “Darling Corey” as the Weavers sang it in 1955. It’s a ghost, a memory even then, but still it’s more thrilling than anything that played on the radio that year — or last year, for that matter — a punk battle hymn for four voices. Pete tears it open with a single note, spitting bullets out of his long-necked banjo. He was mad and proud and bitter, playing for the fallen and the falling, for Leadbelly and Woody — who was two-thirds gone now, dying of Huntington’s Disease in Brooklyn — and for the Weavers themselves. It was a new sound for Pete, Woody’s sound. Not the jokes, but the anger. The difference between Pete and Woody could be seen on their instruments. In a neat circle bordering his banjo, Pete wrote, this machine surrounds hate and forces it to surrender. Across the hips of his guitar, Woody scrawled, this machine kills fascists. That night in 1955, Pete turned his banjo into Woody’s old killing machine. The first spray of notes is followed by a plummeting spiral like a man stepping — leaping — off a cliff. Enter four voices: Wake up, wake up, darling Corey!

Christmas music

One of my favorite childhood Christmas memories is my mother’s albums of carols. You know, those compilation albums with some artists putting their own spin on the carol and others singing it pretty straight. Since the advent of CDs, I’ve built a small collection of Christmas music, ranging from the cheesy compilations I loved in childhood to early music recordings I’ve come to love.

There’s a fantastic new album available. Wynonna Judd’s A Classic Christmas is just that–a classic. She does familiar songs without tarting them up. Her Ave Maria is outstanding.

Easter on my mind

Not a common experience. But last Monday I went to Norumbega Harmony’s monthly Sacred Harp sing, and we sang William Billings’s Easter Anthem, and pieces of it just keep going around in my head. I’ve found two versions online. (These links will take you directly to mp3 files hosted by Voices across America.)

And then my friend (and co-worker) Philocrites wrote about The gospel of forgiveness:

But there it is, the astonishing fact, right there in the news: These women and this little girl had the strength of character to forgive rather than seek vengeance. They even reached out to the man in an act of fellowship. Could I? Not yet. But when I made the decision eight years ago to renew my baptismal vows in an Easter vigil at King’s Chapel, I did it because I wanted to learn the discipline of living the resurrection. Jesus did not teach an easy path: His is a gospel of forgiveness and reconciliation, a witness to the grace that can take a vengeful world and a bitter heart and make it new.